Hi. I am glad that you found your way to my site.
My name is Lindsay and I am a writer. I have put up some of my work for you to enjoy. Select what you want to read and enter my imaginary world. I welcome any comments you wish to make.
All stories are my original work and are copyright and can not be copied or distributed without my express permission.
Come and see more of me at http://withoutasense.wordpress.com
At the typesetters, Silencio has an official publication date of 28th February 2016 and will be available in paperback and ebook format.
I love the cover and thank the team for their help in its design.
Silencio is finally at the printers. Publication date set for the 28th February.
Exciting times ahead. Silencio, my first novel is in the throes of publication preparation and should hit the retailers’ shelves in the new year.
In addition, my second novel is nearing completion of the first draft and I am working like mad to have it finished and polished so that I can follow up my first published novel with a close second.
With all of this going on, I have little time to write short stories however I do hope to fit in the odd one now and then.
A new website is under development and I will post the link to that soon.
Apologies to my readers for my absence. We will call it a summer break however I have been busy writing and preparing my novel for publishing so it hasn’t really been a holiday.
Like most adults, I have learnt to juggle. Time, family, work, fun: the list goes on. When I left the house to go out to work, I was more organised however, since becoming a stay-at-home writer life has become cluttered. Something needed to be done.
Answer – a new office with lots of cupboards and drawers in which to hide things away.
Problem – all of my lovely books stare out from my bookshelf and tempt me to enter an alternative world. The Mitfords, Shriver, Curz, Harris, Bennett: they all call to me. Amongst the clutter they never seemed so prominent or distracting.
It’s Monday and all of the excitement of the Hay Festival is a memory. I didn’t write any blogs for the final few events that I attended but thought that it might be interesting to some of you if I give a quick summary before I sign off for good.
On the 29th May I joined a packed audience to listen to the talented dynamic acoustic folk/rock singer/guitarist Frank Turner. Being of a certain age, his performance transported me to my past, to the days of Dylan, the Doors and the many other anti-establishment protest artists of that era. I was surrounded by fans of Frank who were able to sing every word and I think that it is fair to say that the evening performance gave us all a real treat of an extraordinary talent.
Debborah Moggach is a prolific writer who is able to position her stories in locations that are not familiar to her because she understands her characters so well that they can drive the story rather than the place. A luxurious flat is a luxurious flat, wherever it is. She finds smug marrieds hard to tolerate, an opinion that made the front page of the paper on the following day.
Mona Eltahawy, an Egyptian born campaigner for the rights of women, spoke passionately about confronting oppressive regimes throughout the world. She pointed out that women’s liberties and rights are compromised in many western cultures in addition to the better known areas of the Middle East and northern Africa. Divulging some of her most intimate experiences gave weight to the evidence of the suppression that women encounter on a daily basis. Her book ‘Headscarves and Hymens:Why the Middle East Needs a Sexual Revolution’ is a plea to confront the toxic mix of culture and religion that affects the daily lives of the women in those areas.
I finished off my Hay experience this year with a delightful session from the Call the Midwife team. Virginia Nicholson lead the discussion where the screenwriter, producer and star (Jenny Agutter) gave insight to the research and story development for the series. As an ex-midwife, this series intrigues me and it can move me to tears as I remember some of my own experiences delivering babies. The attention to detail is remarkable even to ensuring they have the correct size of fake umbilical cord for the size of the baby.
Now I have returned to my home, inspired to return to my second novel, and thankful for the opportunity to experience the wonderful Hay Festival.
From the moment that Pam Ayres walked onto the Tata stage, she captivated her audience with humour, wit, facial expressions and a perfect sense of timing. Her introductory piece was a poem about the arrival of a letter from the pension office and it was the start of a series of hilarious poetry and stories which had the audience in an uproar, I have seen Pam Ayres on television but her impeccable delivery of her material and the twinkle in her eye can only be appreciated in a live show.
What was unexpected for me, was the sensitivity with which she described things such as the departure of her son for university and the arrival of her grandson into her family.
Most people know that her husband features in some of her material (not always in a positive way) and I think that he must have a forgiving nature as they have had a long marriage.
This session was one of my highlights of Hay Festival this year because I laughed so hard that my stomach ached for hours afterwards and it is wonderful to witness a true craftswoman practice her art.
Alan Bennett was joined on the Hay stage by Nicholas Hytner, known for his work in the National Theatre, to preview and discuss their new film ‘The Lady in the Van’. The story is based on Alan’s memoirs of his relationship with Mrs. Shepherd, a homeless lady who lived in a van, moved onto his drive for three months and ended up staying there for 15 years. The memoirs became a successful play starring Maggie Smith and once again, she takes the lead in the film production.
The audience were treated to several clips of the film and judging by the roars of laughter, I think that anyone who goes to the cinema to see this film will not be disappointed. The film script was written once Maggie Smith agreed to take part in the film and she appears to embrace the role so wholeheartedly that you forget she is an actress playing a role. The film is narrated from two viewpoints of Alan Bennett, as the man who offers compassion to the woman and as the writer who observes and records the story.
The presentation was filled with humorous moments as both Alan Bennett and Nicholas Hytner described the reactions of the neighbours in the street of Camden where they filmed, how layers of filth were created, a weekend when two homeless men took up residency in the ‘prop’ van so that it had to be sanitized and refilled with sterile filth, and the determination of Mrs. Shepherd to form her own political party.
However, the main message of the evening was about humanity. Mr. Bennett observed this poor homeless woman being tormented on the street and that interfered with his creativity as a writer and so, he issued that invitation to move onto his drive. When he speaks about her, Alan Bennett uses words of respect and he was able to see beyond the dirty clothes and offensive smells. I discussed this presentation with a woman in the queue at the bookshop and she echoed my description of the sense of humanity that marked the presentation.
At the end of the hour Alan Bennett was presented with the Hay Festival Medal for Drama and the audience rose to their feet. He responded with a humorous story and left me wishing that the man who is Alan Bennett was a friend of mine.